Riot! by Paramore (CD, 2007, Atlantic) *NEW* *FREE Shipping*

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Seller Store manonwestcoast
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Location: Tarzana, California
Ships to: US,
Item: 256206582900

Restocking Fee:No
Return shipping will be paid by:Buyer
All returns accepted:Returns Accepted
Item must be returned within:30 Days
Refund will be given as:Money Back
Type:Album
Language:English
Producer:David Bendeth
Case Type:Jewel Case: Standard
Custom Bundle:No
Style:Emo,Pop Rock,Alternative/Indie Rock,Alternative Pop/Rock,Emo-Pop,Pop Punk
Features:Sealed
Artist:Paramore
Record Label:Fueled by Ramen
Format:CD
Release Year:2007
Release Title:Riot!
Genre:Alternative Rock

Riot! by Paramore [CD] Track Listing: 1 For A Pessimist I’m Pretty Optimistic2 That’s What You Get3 Hallelujah4 Misery Business5 When It Rains6 Leet The Flames Begin7 Miracle8 CrushCrushCrush9 We Are Broken10 Fences11 Born For ThisAfter gaining hordes of enthusiastic fans worldwide with their debut ALL WE KNOW IS FALLING, Paramore was poised to breakthrough to new heights with their newest offering RIOT! their sophomore album, produced by David Bendeth, includes the first single ”Misery Business”. — Move over, Avril; there’s a new gun in town. And even though Paramore’s lead singer Hayley Williams is a few years younger than her predecessor, she has a way bigger set of vocal pipes. Lavigne and Williams share a similar register, but Williams belts it out with way more control and authority. She may even be more of a respectable pop idol since her image isn’t manufactured to be rebellious and angst-ridden; instead, Williams appears to be a genuinely sweet girl, bottling up a huge voice and a heart full of lost loves. On 2008’s Riot!, she fills the majority of her punk-pop tales with emo angst and declarations of boy woes. Contrived as this may sound, her lyrics feel authentic and representative of actual teenage puppy love, where a breakup feels like the end of the world. Filled with crossover potential, the songs are consistant and zippy with catchy hooks in the vein of Boys Like Girls fronted by a young Shirley Manson. Meanwhile, the production is sparkling and heavily compressed due to the golden hands of David Bendeth, but these ultra-clean sonics also tend to cramp up the band — clouding the dynamics and turning the listening experience into a relatively risk-free one. When the group breaks away from the chugging guitar Fall Out Boy formula, they’re at their best. Mid-song breakdowns and cathartic power ballads (think ”Don’t Speak”) showcase the band’s maturity as musicians. More importantly, Williams shines through in these openings. In the last track, ”Born for This,” she takes a break from her love confessions and commands everyone to sing like it’s the last song they will ever sing, making for a sentimental finale and a perfect closer for the live shows. ~ Jason Lymangrover, AllMusic Normal 0 false false false EN-US X-NONE X-NONE

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