Postum Ad: Noel Sickles and Milton Caniff Artwork from 1940 Size: 11 x 15 inches

$30.0 Buy It Now or Best Offer
free,30-Day Returns

Seller Store
() %,

Location: Chicago, Illinois, United States
Ships to: US,
Item: 144376840686

eBay This is a Postum Cereal Drink Ad . Very Well Done Ads! Great Artwork by Noel Sickles and Milton Caniff ! This was cut from the original newspaper Sunday comics section of 1930’s -1940’s. Size: ~11 x 15 inches (Half Full Page or Tabloid Full). Paper: Some light tanning/wear, otherwise: Excellent! Bright Colors! Pulled from loose sections! (Please Check Scans) USA Postage is Free! Total postage on International orders is $20.00 Flat Rate. I combine postage on multiple pages. Check out my other auctions for more great vintage Comic-strips and Paper Dolls. Thanks for Looking! *Fantastic Pages for Display and Framing! Noel Sickles Noel Douglas Sickles (January 24, 1910 – October 3, 1982) was an American commercial illustrator and cartoonist, best known for the comic strip Scorchy Smith. Sickles was born in Chillicothe, Ohio. Largely self-taught, his career began as a political cartoonist for the Ohio State Journal in the late 1920s. At that time he met and shared a studio with cartoonist Milton Caniff, then working for the Columbus Dispatch. Sickles followed Caniff, creator of the Terry and the Pirates comic strip, to New York City in 1933, where both men initially worked as staff artists for the Associated Press. Scorchy Smith Sickles was assigned to the action/adventure comic Scorchy Smith, whose creator, John Terry, was suffering from tuberculosis. Loosely modeled on Charles Lindbergh, Scorchy was a pilot-for-hire who flew into numerous high-octane globe-trotting adventures. The series, which started in 1930, was heavily influenced by Roy Crane’s adventure strip Wash Tubbs. Sickles initially illustrated the strip as a ghost artist, but he signed his own name after Terry’s 1934 death. Sickles’ artwork was much admired and proved highly influential to other comic strip artists. His compositions were cinematic in style, and he had a brisk, impressionistic style of inking that he referred to as “chiaroscuro.” Sickles also was adept in his application of the shading medium Zipatone. Sickles and Caniff worked together for two years, sometimes writing and drawing each other’s strips. Caniff acknowledged being heavily influenced by Sickles. Magazine illustration Sickles asked the newspaper syndicate for a salary raise in 1936, and when he was turned down, he quit, becoming a successful commercial illustrator. He also ghosted the daily strip The Adventures of Patsy, but otherwise the rest of his career was devoted to magazine illustration. For Life, he illustrated the original publications of The Old Man and the Sea and The Bridges at Toko-Ri. Awards and reprints He received the National Cartoonists Society’s Advertising and Illustration Award for 1960 and 1962. His Scorchy Smith strips were reprinted in Famous Funnies and in two collections published by Nostalgia Press in the 1970s. The end of his run was reprinted in Big Fun Comics (published by American Comic Archive) which also published Bert Christman’s run on the strip. In 2008 IDW Publishing published Scorchy Smith and the Art of Noel Sickles, which reprints the complete 1933–36 run of Scorchy Smith by Sickles. ISBN 1-60010-206-9 Sickles died in Tucson, Arizona October 3, 1982. Sickles was interred in Grandview Cemetery, Chillicothe, Ross County, Ohio. In 1983, Sickles was posthumously inducted into the Society of Illustrators Hall of Fame. Milton Caniff Born Milton Arthur Paul Caniff February 28, 1907 Hillsboro, Ohio Died April 3, 1988 (aged 81) New York City Nationality American Area(s) Cartoonist Notable works Dickie Dare Terry and the Pirates Steve Canyon Awards full list Milton Arthur Paul ”Milt” Caniff (/kəˈnɪf/; February 28, 1907 – April 3, 1988) was an American cartoonist famous for the Terry and the Pirates and Steve Canyon comic strips. Biography Caniff was born in Hillsboro, Ohio. He was an Eagle Scout and a recipient of the Distinguished Eagle Scout Award from the Boy Scouts of America. Caniff did cartoons for local newspapers while studying at Stivers High School (now Stivers School for the Arts) in Dayton Ohio. At Ohio State University, Caniff joined the Sigma Chi fraternity and later illustrated for The Magazine of Sigma Chi and The Norman Shield (the fraternity’s pledgeship/reference manual). Graduating in 1930, Caniff began at the Columbus Dispatch where he worked with the noted cartoonists Billy Ireland and Dudley Fisher, but Caniff’s position was eliminated during the Great Depression. Caniff related later that he had been uncertain of whether to pursue acting or cartooning as a career and that Ireland said, ”Stick to your inkpots, kid, actors don’t eat regularly.” He died on May 3, 1988 and was buried in the Mount Repose Cemetery, Haverstraw, New York Comic strips In 1932, Caniff moved to New York City to accept an artist job with the Features Service of the Associated Press. He did general assignment art for several months, drawing the comic strips Dickie Dare and The Gay Thirties, then inherited a panel cartoon named Mister Gilfeather in September 1932 when Al Capp quit the feature. Caniff continued Gilfeather until the spring of 1933, when it was retired in favor of a generic comedy panel cartoon called The Gay Thirties, which he produced until he left AP in the autumn of 1934. In July 1933, Caniff began an adventure fantasy strip, Dickie Dare, influenced by series such as Flash Gordon and Brick Bradford. The eponymous main character was a youth who dreamed himself into adventures with such literary and legendary persons as Robin Hood, Robinson Crusoe and King Arthur. In the spring of 1934, Caniff changed the strip from fantasy to ”reality” when Dickie no longer dreamed his adventures but experienced them as he traveled the world with a freelance writer, Dickie’s adult mentor, ”Dynamite Dan” Flynn. Terry and the Pirates In 1934, Caniff was hired by the New York Daily News to produce a new strip for the Chicago Tribune New York News Syndicate. Daily News publisher Joseph Medill Patterson wanted an adventure strip set in the mysterious Orient, what Patterson described as ”the last outpost for adventure,” Knowing almost nothing about China, Caniff researched the nation’s history and learned about families for whom piracy was a way of life passed down for generations. The result was Terry and the Pirates, the strip which made Caniff famous. Like Dickie Dare, Terry Lee began as a boy who is traveling with an adult mentor and adventurer, Pat Ryan. But over the years the title character aged, and by World War II he was old enough to serve in the Army Air Force. During the 12 years that Caniff produced the strip, he introduced many fascinating characters, most of whom were ”pirates” of one kind or another. Introduced during the early days of the strip was Terry and Pat’s interpreter and manservant Connie. They were later joined by the mute Chinese giant Big Stoop. Both he and Connie provided the main source of comic relief. Other characters included: Burma, a blonde with a mysterious, possibly criminal, past; Chopstick Joe, a Chinese petty criminal; Singh Singh, a warlord in the mountains of China; Judas, a smuggler; Sanjak, a lesbian; and then boon companions such as Hotshot Charlie, Terry’s wing man during the War years; and April Kane, a young woman who was Terry’s first love. But Caniff’s most memorable creation was the Dragon Lady, a pirate queen; she was seemingly ruthless and calculating, but Caniff encouraged his readers to think she had romantic yearnings for Pat Ryan. Male Call During the war, Caniff began a second strip, a special version of Terry and the Pirates without Terry but featuring the blonde bombshell, Burma. Caniff donated all of his work on this strip to the armed forces—the strip was available only in military newspapers. After complaints from the Miami Herald about the military version of the strip being published by military newspapers in the Herald’s circulation territory, the strip was renamed Male Call and given a new star, Miss Lace, a beautiful woman who lived near every military base and enjoyed the company of enlisted men, whom she addressed as ”Generals”. Her function, Caniff often said, was to remind service men what they were fighting for, and while the situations in the strip included much ’double entendre’, Miss Lace was not portrayed as being promiscuous. Much more so than civilian comic strips which portrayed military characters, Male Call was notable for its honest depiction of what the servicemen encountered; one strip displays Lace dating a soldier on leave who had lost an arm (she lost her temper when a civilian insulted him for that disability). Another strip had her dancing with a man in civilian clothes; a disgruntled GI shoved and mocked him for having an easy life, but Lace’s partner was in fact an ex-GI blinded in battle. Caniff continued Male Call until seven months after V-J Day, ending it in March 1946. In 1946, Caniff ended his association with Terry and the Pirates. While the strip was a major success, it was not owned by its creator but by its distributing syndicate, the Chicago Tribune-New York Daily News, a common practice with syndicated comics at the time. And when Caniff, growing more and more frustrated with the lack of rights to the comic strip he produced, was offered the chance to own his own strip by Marshall Field, publisher of the Chicago Sun, the cartoonist quit Terry to produce a strip for Field Enterprises. Caniff produced his last strip of Terry and the Pirates in December 1946 and introduced his new strip Steve Canyon in the Chicago Sun-Times the following month. At the time, Caniff was one of only two or three syndicated cartoonists who owned their creations, and he attracted considerable publicity as a result of this circumstance. Steve Canyon Milton Caniff’s Steve Canyon, although not gaining the popularity of Terry and the Pirates, nevertheless enjoyed greater longevity. Like his previous strip, Steve Canyon was an action strip with a pilot as its main character. Canyon was portrayed originally as a civilian pilot with his own one-airplane cargo airline, but he re-enlisted in the Air Force during the Korean War and remained in the Air Force for the remainder of the strip’s run. While Steve Canyon never achieved the popularity that Terry and the Pirates had as a World War II military adventure, it was a successful comic strip with a greater circulation than Terry ever had. A short-lived Steve Canyon television series was produced in 1958. Steve Canyon was often termed the ”unofficial spokesman” for the Air Force. The title character’s dedication to the military produced a negative reaction among readers during the Vietnam War, and the strip’s circulation decreased as a result. Caniff nonetheless continued to enjoy enormous regard in the profession and in newspapering, and he produced the strip until his death in 1988. The strip was published for a couple of months after he died, but was ended in June 1988, due to Caniff’s decision that no one else would continue the feature. The character of Charlie Vanilla, who appeared frequently with an ice cream cone, was based on Caniff’s long term friend Charles Russhon, a former photographer and Lieutenant in the US Air Force who later worked as a James Bond movie technical adviser. The character of Madame Lynx was based on Madame Egelichi, the femme fatale spy played by Ilona Massey in the 1949 Marx Brothers movie Love Happy. The character stirred Caniff’s imagination, and he hired Ilona Massey to pose for him.Caniff designed Pipper the Piper after John F. Kennedy and Miss Mizzou after Marilyn Monroe. Recognition and awards Caniff was one of the founders of the National Cartoonists Society and served two terms as its President, 1948 and 1949. He also received the Society’s first Cartoonist of the Year Award in 1947 for work published during 1946, which included both Steve Canyon and Terry and the Pirates as well. Caniff would be named Cartoonist of the Year again, receiving the accompanying trophy, the Reuben, in 1972 for 1971, again for Steve Canyon. He was inducted into the comic book industry’s Will Eisner Comic Book Hall of Fame in 1988. He received the National Cartoonists Society Elzie Segar Award in 1971, the Award for Story Comic Strip in 1979 for Steve Canyon, the Gold Key Award (the Society’s Hall of Fame) in 1981, and the NCS has since named the Milton Caniff Lifetime Achievement Award in his honor. In 1977, the Milton Caniff Collection of papers and original art became the foundation for what is known presently as the Billy Ireland Cartoon Library & Museum. Covering 696 cubic feet (19.7 m3), the collection fills 526 boxes, plus 12,153 art originals and 59 oversized items. In addition to the original artwork, the collection includes Caniff’s personal and business papers, correspondence, research files, photographs, memorabilia, merchandise, realia, awards, audio/visual material and scrapbooks. In 1987, he was made the first honorary member of the Eighth Air Force Historical Society in recognition for the ”Male Call” strip that he did for Stars and Stripes during World War II. Influence Caniff died in New York City in 1988. Along with Hal Foster and Alex Raymond, Caniff’s style had a tremendous influence on the artists who drew American comic books and adventure strips during the mid-20th century. Evidence of his influence can be seen in the work of comic book/strip artists such as Jack Kirby, Frank Robbins, Lee Elias, Bob Kane, Mike Sekowsky, John Romita, Sr., Johnny Craig, William Overgard and Doug Wildey to name just a few. European artists were also influenced by his style, including Belgian artists Jijé, Hubinon and Italian artist Hugo Pratt. The Caniff estate hired special effects artist John R. Ellis to restore for release the 34 episodes of the 1958–59 NBC television series Steve Canyon featuring Dean Fredericks in the title role. Caniff as comic character From 1995, Dargaud has published a series of Franco-Belgian comics, Pin-Up, intended mainly for adults, written by Yann Le Pennetier and drawn by Philippe Berthet. The series describes the adventures of artist’s model Dottie Partington during and after World War II. The strip features a number of real-life characters and situations, albeit in a fictional setting, including Gary Powers and the U-2 Crisis and Hugh Hefner. During World War II, Dottie is the model for Milton, an artist who has been commissioned to draw a strip to raise the morale of the troops. He creates Poison Ivy, a strip-within-a-strip, in which the titular character is a combination of Lace of Male Call and Mata Hari (though she fights with the Yanks against the Japanese). Milton is later shown working on Steve Canyon. Due to the hours of my job I can usually only mail packages out on Saturdays. I send out First Class or Priority Mail which takes 2 – 7 days to arrive in the USA and Air Mail International which takes 5 – 30 days or more depending on where you live in the world. I do not ”sell” postage or packaging and charge less than the actual cost of mailing. I package items securely and wrap well. Most pages come in an Archival Sleeve with Acid Free Backing Board at no extra charge. If you are dissatisfied with an item. Let me know and I will do my best to make it right. Many Thanks to all of my 1,000’s of past customers around the World. Enjoy Your Hobby Everyone and Have Fun Collecting!

Frequently Asked Questions About Postum Ad: Noel Sickles and Milton Caniff Artwork from 1940 Size: 11 x 15 inches in My Website

www.malmobeerweek.se is the best online shopping platform where you can buy Postum Ad: Noel Sickles and Milton Caniff Artwork from 1940 Size: 11 x 15 inches from renowned brand(s). www.malmobeerweek.se delivers the most unique and largest selection of products from across the world especially from the US, UK and India at best prices and the fastest delivery time.

What are the best-selling Postum Ad: Noel Sickles and Milton Caniff Artwork from 1940 Size: 11 x 15 inches on www.malmobeerweek.se?