Manley Massive Passive Tube Equalizer Mastering Version #376 (Used)
Manley Massive Passive Tube Equalizer Mastering Version #376 (Used)
Manley Massive Passive Tube Equalizer Mastering Version #376 (Used)


$5559.75 Buy It Now or Best Offer
free,30-Day Returns





Seller Store vintagekingaudio
(5059) 99.6%,

Location: Ferndale, Michigan
Ships to: US,
Item: 326304900067

Return shipping will be paid by:Buyer
All returns accepted:Returns Accepted
Item must be returned within:30 Days
Refund will be given as:Money back or replacement (buyer’s choice)
Return policy details:
Brand List:Manley Labs
Type:Equalizer
Manley Labs:Manley Labs
Massive Passive:Massive Passive
MPN:Does Not Apply
UPC:Does Not Apply

Category 500 Series Modular Synth Keyboards Microphones Preamps Dynamics Equalizers Monitoring Computer Audio Interfaces Software Beat Production VINTAGE KING APPROVED This item has been carefully inspected, tested and serviced by our expert tech team. All vintage, used and open-box items we sell are backed by an industry-leading warranty. Expand your studio with confidence knowing that we have you covered. Manley Massive Passive Tube Equalizer Mastering Version #376 (Used) The Manley Massive Passive is a passive design and not a ”true parametric.” A true parametric implies non-interacting controls. In the Massive Passive, the ”Gain” and ”Bandwidth” controls do interact (on purpose). When you change the ”Bandwidth” the step size must and will change. On the regular version, you get a full 20 dB boost or cut only when: the bandwidth is fully clockwise (narrow) in bell mode or fully counter-clockwise in shelf mode. Here on the Mastering Version, this maximum boost or cut is 11dB. Conversely at the widest bell, the maximum boost or cut is 6dB and the narrowest shelf maxes out at 12 dB. A similar situation is also true for the bandwidth detents. So in this new Mastering Version, do not expect a certain dB change per step as it will vary according to where the bandwidth is set. But whatever the step sizes are, they will be repeatably 16 steps. The Frequency select is already detented as it is and always has been a Grayhill switch. It also interacts in shelf mode. On a similar note, the Massive Passive is a ”parallel design” and not the conventional ”series design.” This means the bands interact with each other too. It is possible, to set a band to boost 20 dB but if another band is boosting near or at that frequency, very little will happen. On a conventional EQ the two bands ”add” and you would be boosting 40 dB into clipping. Because the bands interact, predictable step sizes are unrealistic, however, with the Mastering Version, you will be able to repeat settings (if you log them of course). The price paid for interacting bands, is a better sounding EQ and bizarre looking settings (on purpose). Unlike virtually every other EQ, the Massive Passive allows much more EQ without sounding ”processed.” Where 5 or 6 dB is about all one could attempt with other EQs in mastering, the Massivo amazes engineers with how much EQ they can do and get more ”natural” results at the same time. We could have squeezed 11 position Grayhill switches in the modules if we had wanted 1/2 dB steps but then the maximum range would have become only 5.5 dB. Remembering what we stated above, the minimum range would then become about 1.5 dB with approximately 0.2 dB steps. This approach would have essentially thrown away most of the useful range the unit is capable of. Going with these special mechanically detented knobs which use the same pots underneath that the normal Massivo uses, we get nearly all the range of the normal version, but with the repeatability of the detents. We have also custom tailored the Filters in the Mastering Version specifically for Mastering purposes, moving them lower and higher than the normal version, with mastering engineers specifically in mind. If you are looking for drastic effects (like telephone sounds) then get the normal version. These filters are really geared for mastering engineers. Additionally, the Master Gain Trim controls in the Mastering Version are true 11 position 1/2 dB stepped Grayhill switches set up for a range between -2.5 to +2.5 dB of master gain trim. This allows more confidence in left/right matching and calibration. FEATURES: All-Passive tone sculpting circuitry Unique Shelf curves use the ”bandwidth” control Overlapping and Interleaved Frequency choices Every band switchable to shelf or bell Vacuum tube make-up gain and line drivers Parallel symmetrical topology Premium components throughout HP and LP Filters STEPPED GAIN trims -2.5 to +2.5 dB in 11 steps of 1/2 dB each Metal Manley mechanically detented GAIN and BANDWIDTH control knobs SPECIFICATIONS: Ins & Outs Balanced XLR & 1/4″ (accepts unbalanced) Level +4 dBu nominal, internal switches for -10 operation HARDWIRE Bypass Switch (unit does pass audio when powered off) 44 Frequencies (roughly 1/4 octave spacing) Frequency Range: 22 Hz to 27 kHz EQ Boost/Cut Range: Maximum 11 dB boost or cut Nominal Q range: 1.5 to 3 (uniquely active in shelf modes) Frequency Response: ±2 dB: 8 Hz to 60 kHz Maximum Output @ 1.5% THD +37 dBv; +26 dBv @ 20 Hz THD & Noise (1 kHz @ +4 dBu): 0.06% Noise Floor (referred to +4 dBu): -85 dB (A Weight) Dynamic Range: 120 dB Tube Complement: 2 x 12AU7, 4 x 6414 Power Consumption (120/240VAC): 72 watts Unit is factory set for 100 V, 120 V or 220-240 VAC operation for original destination country’s mains voltage Operating Mains Voltage changeable with power transformer changeover switch and fuse value change Mains Voltage Frequency: 50~ 60Hz Size (3U): 19″ x 5.25″ x 10″ Weight: Unit 21 lbs Shipping Weight: 27 lb About Us Since 1993, we have been committed to equipping our customers with the very best gear, advice, and personal service anywhere. We believe that great sound can be achieved at any budget. We also believe that the ambitions of our customers should always come first. For us, it’s about building long-lasting relationships, not just selling gear. And over the years, those beliefs have turned customers into friends and family. Whether you’re just starting out, or a seasoned pro, we’re here for you, no matter where your audio travels may take you. Shipping Policy Free ground shipping to the lower 48 states Via FedEx. All of our items ship via FedEx. On checkout, it may look like you are selecting a UPS shipping method, but the item will be shipped via the equivalent FedEx method. Import Duties and Tax Since import taxes and/or duties that your government might impose on products shipped from the United States may apply, you (the customer), are solely responsible for shipping charges, taxes, and duties, once goods arrive in your country. Undeliverable/Rejected Package If your package was rejected by your local Customs Bureau or the shipment could not be delivered and was returned to Vintage King Audio for any reason, we are not responsible for the shipping costs. Free Extended Warranty All new items that Vintage King carries are subject to our FREE extended warranty protection. Basically, if the manufacturer offers a 1-year warranty on your product, then you are covered under the same warranty terms for a total of 2 years from the time of initial shipment. Likewise, if the manufacturer offers a 5-year warranty, then you receive a total of 6 years of coverage when purchased through Vintage King. We add 1 year to your standard manufacturer’s warranty period, FREE of charge, whatever the manufacturer’s warranty period may be. Duties and tax for warranty and damage replacement items International Duties and tax for warranty and damage replacement items may apply. Even though you may have paid shipping, taxes or duty on your original order, it is IMPORTANT to understand that your government may impose duties and taxes for warranty items or replacement items damaged during shipment from the United States for the new order. You (the customer), are solely responsible for shipping charges, taxes, and duties, once goods arrive in your country. Used Item Warranties Vintage King offers an industry-leading level of technical service and warranty support on our used and vintage items. Our used item warranty periods are as follows: Analog Outboard Gear 1 Year Microphones 1 Year (excluding capsules, tubes, and ribbon elements) Speakers 1 Year (excluding drivers) Digital Outboard Gear 30 Days Return Policy We do our best to help you choose the perfect gear, but if you don’t love it in the first 30 days after receipt, please contact us through eBay for a return authorization. Note: Software is not returnable or refundable. What Are ”Demo Deal” or ”B-Stock” Products? Our Demo Deals and B-Stock products offer a unique opportunity to save big on near-mint condition, fully warrantied gear. These items have been opened for demonstration purposes and put back in the box without extended use. All original factory accessories and packaging are included. In addition to the manufacturer’s warranty, Demo Deal and B-Stock items also come with an additional 1-year of warranty coverage from Vintage King, free of charge, so rest assured that not only are you saving big by purchasing a Demo Deal/B-Stock item, but you will also receive the same level of world-class support from Vintage King as with the purchase of a factory-sealed unit. Taxes Vintage King collects sales tax for shipments to Alabama, Arkansas, Arizona, California, Colorado, Connecticut, Florida, Georgia, Hawaii, Idaho, Illinois, Indiana, Iowa, Kentucky, Louisiana, Maine, Maryland, Massachusetts, Michigan, Minnesota, Missouri, Nebraska, Nevada, New Jersey, New Mexico, New York, North Carolina, Ohio, Oklahoma, Pennsylvania, South Carolina, Tennessee, Texas, Utah, Vermont, Virginia, Washington, Washington D.C., Wisconsin and Wyoming. Partial and complete tax exemptions may be available in your state. Contact us through eBay for details. Note: eBay may collect sales tax in states not listed above.

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